Artist Sam Peters

 

A native of West Virginia, Sam Peters spent most of his adult life in Maryland before moving to New Mexico. He fell in love with printmaking and endeavored to learn everything possible about it. This was accompanied by a strong desire to teach art, which required the acquisition of an MFA in printmaking, which he earned from the University of Maryland, College Park. Peters taught printmaking at the Maryland Institute, College of Art in Baltimore for thirteen years before retiring from teaching. Sam Peters is a co-founder of Maryland Printmakers and served as its first president. Over the years he acquired additional interests in painting, photography, mixed-media collage and computer graphics. These varied skills have coalesced into his latest series of works, three-dimensional collage sculptures.

In addition to his teaching at the Maryland Institute, College of Art, Peters has taught printmaking, computer graphics, design, and drawing at various colleges and universities in the Maryland-Washington, DC area. He has presented workshops on monotypes, collage, artist books, as well as computer-assisted printmaking and computer-assisted photography, nationally and internationally. His artwork is included in the collections of The Baltimore Museum of Art, El Paso Museum of Art, Capital Broadcasting Company, Museu da Gravura Citade de Curitiba (Curitiba, Brazil), Museu Nacional de Belas Artes (Rio de Janeiro, Brazil), as well as universities, museums, and arts organizations throughout the United States.

Sam Peters -  Photo © Copyright Scott Weaver 2006.
 
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some thoughts -  

I want the forms that I make to crawl, dance, spin, and spill all over the wall...

 
a bit like a dancing Shiva...  
topsy-turvy...  
I like to think of these forms as having "tumbled into existence".
 

Gesture is critical and represents a cosmic dance while the forms themselves in their inner structure turn around on a center, thus creating vortices, convergences, explosions, implosions, and kaleidoscopes.

 
 

I consider these compositions as complex drawings which rely on obsessive studio practices, expressionist passages, personal cosmologies, and iconographies.

 

Much of my work alludes to places, beings and events that exist beneath the surface of things. These directly and obliquely address possible relationships between the exterior, material world and the interior, sensing self.

 
These three-dimensional forms allow me to use the collage medium freely. Collage relates well to my working process as it exactly parallels my conceptional approach to creating art - a layering of impressions.
 

The actual physical process of constructing these works is very appealing to me in that I tie the various elements together with string, thus lending the piece a primitive quality.

 
 

My pieces are very much like maps, especially the three-dimensional variety; although I have no desire to make any references to actual locations.

 

The content of my work sums up all that I have seen, perceived, experienced, and absorbed in the past 70 years.

 

My wish, which I share with all artists, is that these pieces encapsulate a vision never before seen.